XVII

My poet, thou canst touch on all the notes
God set between His After and Before,
And strike up and strike off the general roar
Of the rushing worlds a melody that floats
In a serene air purely. Antidotes
Of medicated music, answering for
Mankind’s forlornest uses, thou canst pour
From thence into their ears. God’s will devotes
Thine to such ends, and mine to wait on thine!
How, Dearest, wilt thou have me for most use?
A hope, to sing by gladly? or a fine
Sad memory, with thy songs to interfuse?
A shade, in which to sing⁠—of palm or pine?
A grave, on which to rest from singing? Choose.

Where this text comes from

First published in Sonnets from the Portuguese (1850). First located printing is this volume; an earlier periodical printing has not been established. [1] [2]

Structure read from the source's markup; the words have not been compared against a page scan. Last checked 2026-08-20.

Taken from Standard Ebooks, standardebooks/elizabeth-barrett-browning_sonnets-from-the-portuguese, sonnets-from-the-portuguese.xhtml. Rights: public domain (SE dedication; underlying text pre-1931).

Earlier sources (2)

This poem as JSON or plain text. Line anchors #L1–#L14.

Cite this poem

Elizabeth Barrett Browning (1806–1861). “XVII.” First published in Sonnets from the Portuguese (1850). Text: Poem Index, https://poemindex.org/elizabeth-barrett-browning/xvii/. Append #L14 to cite line 14, or #L4-L9 for lines 4–9.

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