Come Up from the Fields Father

Come up from the fields father, here’s a letter from our Pete,
And come to the front door mother, here’s a letter from thy dear son.

Lo, ’tis autumn,
Lo, where the trees, deeper green, yellower and redder,
Cool and sweeten Ohio’s villages with leaves fluttering in the moderate wind,
Where apples ripe in the orchards hang and grapes on the trellis’d vines,
(Smell you the smell of the grapes on the vines?
Smell you the buckwheat where the bees were lately buzzing?)

Above all, lo, the sky so calm, so transparent after the rain, and with wondrous clouds,
Below too, all calm, all vital and beautiful, and the farm prospers well.

Down in the fields all prospers well,
But now from the fields come father, come at the daughter’s call,
And come to the entry mother, to the front door come right away.

Fast as she can she hurries, something ominous, her steps trembling,
She does not tarry to smooth her hair nor adjust her cap.

Open the envelope quickly,
O this is not our son’s writing, yet his name is sign’d,
O a strange hand writes for our dear son, O stricken mother’s soul!
All swims before her eyes, flashes with black, she catches the main words only,
Sentences broken, gunshot wound in the breast, cavalry skirmish, taken to hospital,
At present low, but will soon be better.

Ah now the single figure to me,
Amid all teeming and wealthy Ohio with all its cities and farms,
Sickly white in the face and dull in the head, very faint,
By the jamb of a door leans.

Grieve not so, dear mother, (the just-grown daughter speaks through her sobs,
The little sisters huddle around speechless and dismay’d,)
See, dearest mother, the letter says Pete will soon be better.

Alas poor boy, he will never be better, (nor may-be needs to be better, that brave and simple soul,)
While they stand at home at the door he is dead already,
The only son is dead.

But the mother needs to be better,
She with thin form presently drest in black,
By day her meals untouch’d, then at night fitfully sleeping, often waking,
In the midnight waking, weeping, longing with one deep longing,
O that she might withdraw unnoticed, silent from life escape and withdraw,
To follow, to seek, to be with her dear dead son.

Where this text comes from

First published in Drum-Taps (New York, 1865). Located in this edition by matching this text's lines against the 1865 Drum-Taps scan. The corpus text follows the 1891–92 arrangement, by which the poem had been revised. First located printing is this volume; an earlier periodical printing has not been established. [1]

Structure read from the source's markup; the words have not been compared against a page scan. Last checked 2026-08-12.

Taken from Standard Ebooks, standardebooks/walt-whitman_leaves-of-grass, drum-taps.xhtml. Rights: public domain (SE dedication; underlying text pre-1931).

Earlier sources (2)

This poem as JSON or plain text. Line anchors #L1–#L37.

Cite this poem

Walt Whitman (1819–1892). “Come Up from the Fields Father.” First published in Drum-Taps (New York, 1865). Text: Poem Index, https://poemindex.org/walt-whitman/come-up-from-the-fields-father/. Append #L14 to cite line 14, or #L4-L9 for lines 4–9.

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