Italian Music in Dakota

Through the soft evening air enwinding all,
Rocks, woods, fort, cannon, pacing sentries, endless wilds,
In dulcet streams, in flutes’ and cornets’ notes,
Electric, pensive, turbulent, artificial,
(Yet strangely fitting even here, meanings unknown before,
Subtler than ever, more harmony, as if born here, related here,
Not to the city’s fresco’d rooms, not to the audience of the opera house,
Sounds, echoes, wandering strains, as really here at home,
Sonnambula’s innocent love, trios with Norma’s anguish,
And thy ecstatic chorus Poliuto;)
Ray’d in the limpid yellow slanting sundown,
Music, Italian music in Dakota.

While Nature, sovereign of this gnarl’d realm,
Lurking in hidden barbaric grim recesses,
Acknowledging rapport however far remov’d,
(As some old root or soil of earth its last-born flower or fruit,)
Listens well pleas’d.

Where this text comes from

First published in Leaves of Grass (Boston, 1881–82). Located in this edition by matching this text's lines against the 1881–82 scan. The corpus text follows the 1891–92 arrangement, by which the poem had been revised. First located printing is this volume; an earlier periodical printing has not been established. [1]

Structure read from the source's markup; the words have not been compared against a page scan. Last checked 2026-08-12.

Taken from Standard Ebooks, standardebooks/walt-whitman_leaves-of-grass, autumn-rivulets.xhtml. Rights: public domain (SE dedication; underlying text pre-1931).

Earlier sources (2)

This poem as JSON or plain text. Line anchors #L1–#L17.

Cite this poem

Walt Whitman (1819–1892). “Italian Music in Dakota.” First published in Leaves of Grass (Boston, 1881–82). Text: Poem Index, https://poemindex.org/walt-whitman/italian-music-in-dakota/. Append #L14 to cite line 14, or #L4-L9 for lines 4–9.

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