The Dead Tenor

As down the stage again,
With Spanish hat and plumes, and gait inimitable,
Back from the fading lessons of the past, I’d call, I’d tell and own,
How much from thee! the revelation of the singing voice from thee!
(So firm⁠—so liquid-soft⁠—again that tremulous, manly timbre!
The perfect singing voice⁠—deepest of all to me the lesson⁠—trial and test of all:)
How through those strains distill’d⁠—how the rapt ears, the soul of me, absorbing
Fernando’s heart, Manrico’s passionate call, Ernani’s, sweet Gennaro’s,
I fold thenceforth, or seek to fold, within my chants transmuting,
Freedom’s and Love’s and Faith’s unloos’d cantabile,
(As perfume’s, color’s, sunlight’s correlation:)
From these, for these, with these, a hurried line, dead tenor,
A wafted autumn leaf, dropt in the closing grave, the shovel’d earth,
To memory of thee.

Where this text comes from

First published in November Boughs (Philadelphia: David McKay, 1888). Printed in “Sands at Seventy,” the verse section of November Boughs, and gathered into Leaves of Grass as the First Annex in 1891–92, which is the arrangement the corpus text follows. First located printing is this volume; an earlier periodical printing has not been established. [1] [2]

Structure read from the source's markup; the words have not been compared against a page scan. Last checked 2026-08-12.

Taken from Standard Ebooks, standardebooks/walt-whitman_leaves-of-grass, sands-at-seventy.xhtml. Rights: public domain (SE dedication; underlying text pre-1931).

Earlier sources (2)

This poem as JSON or plain text. Line anchors #L1–#L14.

Cite this poem

Walt Whitman (1819–1892). “The Dead Tenor.” First published in November Boughs (Philadelphia: David McKay, 1888). Text: Poem Index, https://poemindex.org/walt-whitman/the-dead-tenor/. Append #L14 to cite line 14, or #L4-L9 for lines 4–9.

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